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The singer / pianist Anna von Hausswolff hails from Sweden, the land of midnight sun, black metal and Ingmar Bergman. Her album Ceremony is primarily inspired by the death of her grandfather three years ago, and is informed by Anna’s childhood, when she and her sister sang in choirs and spent so much time around their father, the renowned avant-garde artist and composer Carl Michael von Hausswolff, as he worked with artists ranging from William S. Burroughs to Union Carbide Productions. To record this tribute to her grandfather, Anna, a unique and powerful singer, accompanies herself on that most sacred of instruments, the church organ. The result is a striking and deeply felt work that combines intimacy and majestic grandeur.
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Voted best open-mic in the city by ChicagoMag.
"Who says mondays need to be boring?! Schubas presents "Your Monday's
Best", it's very own comedy open mic. Come see some of the finest
comedians in Chicago working on their craft. Hosted by Chris Condren,
Tsyon Karrasch, and Brian Sweeney. sign up at 9:00 pm, show starts at
9:30 pm. See you there! Bring your mondays best! Bye, I love you."
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A year plus on after the release of their debut LP, Sweden’s Holograms have returned with their second full length, Forever. After a year and a half of touring, losing their jobs, parts of their sanity and returning home only with the hope that their hard work will eventually pay off, they embarked on a new record drawing from the experiences that had simultaneously excited and exhausted the members.
Frontmen Andreas Lagerström (vocals/bass) and Anton Strandberg (drums) still live in working class Farsta, 5 miles (8 kilometers) south of urbane and metropolitan Stockholm while the brothers’ Spetze (Anton: vocals/guitar, Filip: synth) still live at home. This isolation and boredom after their first international tours led the group to further mature and grow their sound into a record far more cohesive and “big-sounding” than their debut. The band aimed to capture the feeling of music being played in a church or temple, “like a mass…procession, or eulogy” as clearly demonstrated on closing track “Lay Us Down.” Though matured and experienced, the band’s youthful energy and DiY/Punk upbringing is still upfront and in full effect with the caustic “A Sacred State,” the melodic attack of “Rush,” or the unbridled mass-of-energy-cut-loose of “A Blaze on the Hillside.” Clearly, Holograms show no signs of slowing down the excitement and aggression of their original sound, something to delight their growing audience in this current world of arrogant sonic about-faces on sophomore albums.