Advance tickets guarantee entry to the show.
They are general admission only and DO NOT guarantee seating.
For the best seats/position in the music room please arrive 30 minutes prior to show time to pick-up your tickets.
Tickets ARE NOT mailed to you.
A NON-REFUNDABLE service charge will be added to the purchase price of each ticket - in the instance of a show cancellation, this fee will not be returned.
All Tickets purchased through the web site are NON-REFUNDABLE.
All tickets are NON-TRANSFERABLE.
The name in the 'Shipping Address' portion of your order will be the name your tickets are held under at the door- if you are buying tickets for someone else, you must indicate their name in these fields.
Please add "email@example.com" to your address book to ensure you'll receive your confirmation email.
Advance tickets are only available through Schubas.com (until 5 pm day of show) and JamUSA.com when noted. Schubas does not have a physical box office. Walk-up ticket purchases are only available at Schubas beginning one half-hour before listed show time unless the show is sold out.
Shows are listed in chronological order.
All Shows are 21 and over, unless otherwise noted.
Want A Free Appetizer?
Stop by our Harmony Grill on the night of your show (with a reservation set up ahead of time) to receive a free Mini Mac 'n' Cheese appetizer with advance ticket purchase & the rest of your meal. Limit one per table.
- Friday 06/01/2012 10:00 PM
- ($14.00 Door)
Colours, the debut album from Britain’s Graffiti6, is as vividly vibrant as both the project’s moniker and its album title suggest: an uncategorizable mélange of pop, psychedelia, R&B, and British Northern Soul that fully capitalizes on the soaring uplift of Jamie Scott’s emotionally transparent voice and gift for melody and TommyD’s irresistible rhythms and inventive production. Songs like “Stone In My Heart,” “Stare Into The Sun,” “Annie You Save Me,” and “Free” are “latter-day psych-soul nuggets, all phased vocals and sunshine melodies given the warp factor,” as London’s Guardian newspaper put it, while the remainder of Colours zigzags all over the musical map from the folk-soul balladry of “Goodbye Geoffrey Drake,” to the spare, gospel-inflected feel of “Over You,” to the down- tempo sultriness of “Calm The Storm,” to the jangly indie-rock vibe of “Lay Me Down.” “For me, the unexpectedness of the sound is the whole point,” Scott says. “It’s fun to mess with people’s heads.”
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