Next Up @ LH
coming soon
  • 10/26/14 8:00 PM
  • 18+
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  • 10/28/14 8:00 PM
  • 10/29/14 8:00 PM
  • 10/30/14 9:00 PM
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  • 10/31/14 10:00 PM
  • 11/01/14 9:00 PM
  • 11/02/14 8:00 PM
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Online Ticket Ordering

Advance tickets guarantee entry to the show.

They are general admission only and DO NOT guarantee seating.
For the best seats/position in the music room please arrive 30 minutes prior to show time to pick-up your tickets.

Tickets ARE NOT mailed to you.

A NON-REFUNDABLE service charge will be added to the purchase price of each ticket - in the instance of a show cancellation, this fee will not be returned.

All Tickets purchased through the web site are NON-REFUNDABLE.

All tickets are NON-TRANSFERABLE.

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Advance tickets are only available through Schubas.com (until 5 pm day of show) and JamUSA.com when noted. Schubas does not have a physical box office. Walk-up ticket purchases are only available at Schubas beginning one half-hour before listed show time unless the show is sold out.

Shows are listed in chronological order.

All Shows are 21 and over, unless otherwise noted.

Want A Free Appetizer?

Stop by our Harmony Grill on the night of your show (with a reservation set up ahead of time) to receive a free Mini Mac 'n' Cheese appetizer with advance ticket purchase & the rest of your meal. Limit one per table.
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  • Tuesday 03/04/2014 8:00 PM
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  • 21+
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  • $12 Doors

Formed from the notion of opposites coming together to complete perfect wholes, the name Arthur Beatrice recalls emergence, rather than memories of Golden Girls.

It seems vital then that the two monikers be male and female, and begin with the letters A and B – like two sides of a record, or the genders, they are unique, but find unison in one another. A truism that extends to Arthur Beatrice’s two distinct, dual vocals.

Founding members Orlando Leopard (vocals/instruments) and Elliot Barnes (drums) discovered early in their school-formed friendship, and musical partnership, that their opposing views would take them in interesting and often unpredictable directions. The pair were looking to introduce a new dynamic to their songwriting when they met and enlisted Ella Girardot (vocals/keys), after hearing her perform All Saints’ Pure Shores in the school talent contest. Brother Hamish Barnes (vocals/bass/guitar) joined a little later, quickly providing another point of creative tension when he began contributing songs that soon became as vital as anything before.

“When a person pulls one way, and another pulls in a completely different direction, it’s possible to find something in the middle without compromising… something a lot more interesting,” is the way Orlando sees the process, and this core idea of creation from conflict is intrinsic to the band’s writing; each member bringing their own ideas to the rest to be shaped by their differing input. It’s not a typical approach, with Elliot’s words interpreted and made real in different voices, through Orlando and Ella, but it works, and while the drummer may write with individual intention, the actual words are deliberately open to interpretation by both singer and listener.

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